Back to Issue Sixteen.

and death demands a labor

BY SUMITA CHAKRABORTY

 

When it rains in Boston, from each street rises
the smell of sea. So do the faces of the dead.
For my father, I will someday write:
On this day endeth this man, who did all he could
to craft the most intricate fears, this man
whose waking dreams were of breaking the small bones
in the feet of all the world’s birds. Father.
You know the stories. You were raised on them.
To end a world, a god dances. To kill a demon,
a goddess turns into one. Almanacs of annihilation
are chronicled in cosmic time. Go on.
Batter everything of mine that you can find.
Find my roe deer with the single antler. Kill him.
Find a girl, or a woman. Display to me her remains
on some unpaved expanse, like road kill
on Kentucky highways, turning from flesh to a
fine sand made of ground bone, under a sun
whose surface reaches temperatures six times hotter
than the finest crematory. On the surface of the earth,
our remains are in unholy concert with the remains
of all who have gone before and all who will follow,
and with all who live. In this way, our ground
resembles a bone house. Search in my body
for my heart, find it doesn’t sit gently
where you learned it to be. Thieve in my armory.
Take my saws, take my torches, and drown
my phalanx of bees. Carve into me the words
of the chronicler of hell. Make your very best
catastrophe. My piano plays loud and fast
although my hands are nowhere to be found.
Father, as you well know, I am but a woman.
I believe in neither gods nor goddesses.
I have left my voice up and down the seam
of this country. I, unlike you, need no saws,
or torches. The bees you drowned will come to me
again. Each time you bear your weapons, I,
no more than a woman, grow a new limb.
Each time you use a weapon, my sinews grow
like vines that devour a maple tree.
When I cry, my face becomes the inescapable sea,
and when you drain blood from a creature,
I drink it. On this day this man died,
having always eaten the good food
amid the angry ghosts, having always made
the most overwrought hells.
On this day the moon waxes gibbous
and the moths breed in the old carpets.
On this day from a slit in the ground rises
a girl who does not live long.
On this day to me a lover turns his back
and will not meet my eye.
On this day the faces of the death-marked
are part-willow, part-lion.
On this day has died an artist of ugly tapestries,
and his wares burst into flame.
On this day endeth this man upon who
I hurl the harvest of this ghostly piano,
and on the surface of this exceptional world
the birds have all come to our thresholds,
our windows and our doors, our floorboards,
our attic crannies and underground storerooms,
wires and railroads, tarmacs, highways,
cliffs and oceans, and have all begun to laugh,
a sound like an orange and glittering fire
that originates from places unseen. 

 

 

Sumita Chakraborty is the assistant poetry editor of AGNI and a doctoral candidate in English at Emory University. Her poems are forthcoming or have recently appeared in Boston Review, PANK, At Length, Gulf Coast, Witness, The Journal, and other journals; her prose is forthcoming or has recently appeared in Rain Taxi Review of Books and The Los Angeles Review of Books.

< Previous (James Cihlar)

 Next (M. Ann Hull) >