Proxy CFIAR.jpg

Thank you for your interest in interviewing or reviewing for us. Please see below for guidelines.

We are looking for writers who hope to critically transcend, question, investigate, and explore. If this sounds like you, please email editors@theadroitjournal.org with the following materials, depending on area of interest: One previous interview (scanned or online), as well as a resume/CV and three ranked choices from the following list of new, recent, or forthcoming releases.

Please note: At this time, we have an aesthetic preference for interviews.

Click here to view our most recent interviews, and click here to view our most recent reviews.

If you'D LIKE US TO CONSIDER A TITLE OR TITLES FOR INTERVIEW or review,

Please email us at editors@theadroitjournal.org to request our mailing address, to which you may send a print copy of a recent release.
 

*Note: An asterisk denotes that the writer is a member of the extended Adroit family.

POETRY

Zaina Alsous, "Lemon Effigies" (Anhinga Press, 2018).

*Francesca Bell, “Bright Stain” (Red Hen Press, 2019).

Marina Blitshteyn, "Two Hunters" (Argos Books, 2018).

*Jericho Brown, “The Tradition” (Copper Canyon Press, 2019).

*Grady Chambers, "North American Stadiums" (Milkweed Editions, 2018).

*Franny Choi, “Soft Science” (Alice James Books, 2019). REVIEW only; read an interview with Franny here.

Dominique Christina, "Anarcha Speaks" (Beacon Press, 2018).

Cody-Rose Clevidence, "Flung Throne" (Ahsahta Press, 2018).

*S. Brook Corfman, "Luxury, Blue Lace" (Autumn House Press, 2019). INTERVIEW only; review forthcoming.

Jessica Fjeld, "Redwork" (BOAAT Press, 2018).

*Sarah Fletcher, "Typhoid August" (The Poetry Business, 2018). 

Heather June Gibbons, "Her Mouth as Souvenir" (The University of Utah Press, 2018).

Margaret Gibson, “Not Hearing the Wood Thrush” (LSU Press, 2018).

Krysten Hill, "How Her Spirit Got Out" (Aforementioned Productions, 2018).

*Trevor Ketner, "Major Arcana: Minneapolis" (Burnside Review, 2018).

*Edgar Kunz, “Tap Out” (Houghton Mifflin Harcourt, 2018).

Deborah Landau, “Soft Targets” (Copper Canyon Press, 2019).

J. Michael Martinez, "Museum of the Americas" (Penguin Books, 2018).

Erika Meitner, "Holy Moly Carry Me" (BOA Editions, 2018). INTERVIEW only; review forthcoming.

*Carly Joy Miller, "Ceremonial" (Orison Books, 2018).

*Gala Mukomolova, “Without Protection” (Coffee House Press, 2019). REVIEW only; read an interview with Gala here.

*Rainie Oet, “No Mark Spiral” (CutBank Books, 2018).

*Jessica Poli, “Canyons” (BatCat Press, 2018).

Hajara Quinn, "Coolth" (Big Lucks, 2018).

*Doug Ramspeck, “Black Flowers” (LSU Press, 2018).

*Jacques J. Rancourt, "In the Time of PrEP" (Beloit Poetry Journal, 2018).

*Sam Ross, "Company" (Four Way Books, 2019).

Brandon Shimoda, "The Desert" (The Song Cave, 2018).

Sasha Steensen, "The Gatherist" (Ahsahta Press, 2018).

Yuki Tanaka, "Séance in Daylight" (Bull City Press, 2018).

Ashley Toliver, "Spectra" (Coffee House Press, 2018).

Peter Twal, “Our Earliest Tattoos” (University of Arkansas Press, 2018).

Chase Twichell, "Things As It Is" (Copper Canyon Press, 2018).

Claire Wahmanholm, “Wilder” (Milkweed Editions, 2018).

 

FICTION / NOVEL / Novella

Nana Kwame Adjei-Brenyah, "Friday Black" (Mariner Books, 2018).

Gina Apostol, "Insurrecto" (Soho Press, 2018).

Katya Apekina, "The Deeper the Water the Uglier the Fish" (Two Dollar Radio, 2018).

*Matthew Baker, "Hybrid Creatures" (Yellow Shoe Fiction, 2018).

Jesse Ball, "Census" (Ecco, 2018).

Joseph Cassara, "The House of Impossible Beauties" (Ecco, 2018).

Elaine Castillo, "America Is Not the Heart" (Viking, 2018).

K CHESS, "Famous Men Who Never Lived" (Tin House, 2019).

Tasha Coryell, "Hungry People" (Split Lip Press, 2018).

Claudia Dey, "Heartbreaker" (Penguin Random House, 2018).

Marcia Douglas, "The Marvellous Equations of the Dread" (New Directions, 2018). 

Joe Dunthorne, "The Adulterants" (Tin House, 2018).

Dana Green, "How to Carry Scars" (Kernpunkt, 2018). 

Lisa Halliday, "Asymmetry" (Simon & Schuster, 2018).

Samantha Hunt, "The Seas" (Tin House, 2018).

Simon Jacobs, "Palaces" (Two Dollar Radio, 2018).

Norah Lange (translated by Charlotte Whittle), "People in the Room" (And Other Stories, 2018).

Devi S. Laskar, "The Atlas of Reds and Blues" (Counterpoint Press, 2018).

Wayétu Moore, "She Would Be King" (Graywolf Press, 2018).

Claire Tacon, "In Search of the Perfect Singing Flamingo" (Poplar Press, 2018). 

 

NON-FICTION / ESSAYS / MEMOIR

Rachel Z. Arndt, "Beyond Measure" (Sarabande Books, 2018).

Leah Dieterich, "Vanishing Twins: A Marriage" (Soft Skull Press, 2018).

Anne T. Donahue, "Nobody Cares" (ECW Press, 2018).

Amy Fusselman, "Idiophone" (Coffee House Press, 2018).

Briallen Hopper, "Hard to Love: Essays and Confessions" (Bloomsbury Publishing, 2019).

Jessica Hopper, "Night Moves" (University of Texas Press, 2018).

T Kira Madden, "Long Live the Tribe of Fatherless Girls" (Bloomsbury Publishing, 2019).

Terese Marie Mailhot, "Heart Berries: A Memoir" (Counterpoint, 2018).

Lucas Mann, "Captive Audience: On Love and Reality TV" (Vintage, 2018).

Erica Trabold, “Five Plots” (Hobart & William Smith College Press, 2018).

Esmé Weijun Wang, "The Collected Schizophrenias" (Graywolf Press, 2019).

 

RECENTLY FEATURED

Gala Mukomolova (Poetry) John Stintzi & Lauren Turner (Poetry) Myriam Gurba (Non-Fiction) José Olivarez (Poetry) Jamel Brinkley (Fiction) Brenda Hillman (Poetry) Elissa Washuta (Non-Fiction) Shira Dentz (Poetry) Lauren Camp (Poetry) Tommy Pico (Poetry) Justin Phillip Reed (Poetry) Aaron Smith (Poetry) Max Ritvo (Poetry) Eleanor Kriseman (Fiction) Alicia Mountain (Poetry)