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Thank you for your interest in interviewing or reviewing for us. Please see below for guidelines.

We are looking for writers who hope to critically transcend, question, investigate, and explore. If this sounds like you, please email with the following materials, depending on area of interest: One previous interview (scanned or online), as well as a resume/CV and three ranked choices from the following list of new, recent, or forthcoming releases.

Please note: At this time, we have an aesthetic preference for interviews.

Click here to view our most recent interviews, and click here to view our most recent reviews.


Please email us at to request our mailing address, to which you may send a print copy of a recent release.

*Note: An asterisk denotes that the writer is a member of the extended Adroit family.


Zaina Alsous, “Lemon Effigies” (Anhinga Press, 2018).

*Diannely Antigua, “Ugly Music” (YesYes Books, 2019).

*Brandon Amico, “Disappearing, Inc.” (Gold Wake Press, 2019).

*Francesca Bell, “Bright Stain” (Red Hen Press, 2019).

Marina Blitshteyn, “Two Hunters” (Argos Press, 2019).

*Grady Chambers, “North American Stadiums” (Milkweed Editions, 2018).

Dominique Christina, “Anarcha Speaks” (Beacon Press, 2018).

Cody-Rose Clevidence, “Flung Throne” (Ahsahta Press, 2018).

*S. Brook Corfman, “Luxury, Blue Lace” (Autumn House Press, 2019). INTERVIEW only; review forthcoming.

*Gillian Cummings, “The Owl Was a Baker's Daughter” (University Press of Colorado & Utah State University Press, 2018).

Norman Dubie, “Robert Schumann is Mad Again” (Copper Canyon Press, 2019).

Jessica Fjeld, “Redwork” (BOAAT Press, 2018).

*Sarah Fletcher, “Typhoid August” (The Poetry Business, 2018). 

Heather June Gibbons, “Her Mouth as Souvenir” (The University of Utah Press, 2018).

*Bob Hicok, “Hold” (Copper Canyon Press, 2018).

Doyali Islam, “heft” (Penguin Random House Canada, 2019).

Ilya Kaminsky‏, “Deaf Republic” (Graywolf Press, 2019).

*Edgar Kunz, “Tap Out” (Houghton Mifflin Harcourt, 2018).

Erika Meitner, “Holy Moly Carry Me” (BOA Editions, 2018). INTERVIEW only; review forthcoming.

*Carly Joy Miller, “Ceremonial” (Orison Books, 2018).

*Gala Mukomolova, “Without Protection” (Coffee House Press, 2019). REVIEW only; read an interview with Gala here.

*Kwame Opoku-Duku, “The Unbnd Verses” (Glass Poetry Press, 2018).

Willie Perdomo, “The Crazy Bunch” (Penguin Random House, 2019).

*Jessica Poli, “Canyons” (BatCat Press, 2018).

Hajara Quinn, “Coolth” (Big Lucks, 2018).

*Doug Ramspeck, “Black Flowers” (LSU Press, 2018).

*Jacques J. Rancourt, “In the Time of PrEP” (Beloit Poetry Journal, 2018).

Alison C. Rollins, “Library of Small Catastrophies” (Copper Canyon Press, 2019).

*Sam Ross, “Company” (Four Way Books, 2019).

Jacob Saenz, “Throwing the Crown” (Copper Canyon Press, 2018).

*Heidi Seaborn, “Give a Girl Chaos (see what she can do)” (Mastodon Books, 2019). REVIEW only; see an interview with Heidi here.

Arthur Sze, “Sight Lines” (Copper Canyon Press, 2019).

Yuki Tanaka, “Séance in Daylight” (Bull City Press, 2018).

Ashley Toliver, “Spectra” (Coffee House Press, 2018).

Peter Twal, “Our Earliest Tattoos” (University of Arkansas Press, 2018).

Claire Wahmanholm, “Wilder” (Milkweed Editions, 2018).

*Keith S. Wilson, “Fieldnotes on Ordinary Love” (Copper Canyon Press, 2019).



Nana Kwame Adjei-Brenyah, "Friday Black" (Mariner Books, 2018).

Katya Apekina, "The Deeper the Water the Uglier the Fish" (Two Dollar Radio, 2018).

Tasha Coryell, "Hungry People" (Split Lip Press, 2018).

Marcia Douglas, "The Marvellous Equations of the Dread" (New Directions, 2018). 

Joe Dunthorne, "The Adulterants" (Tin House, 2018).

Dana Green, "How to Carry Scars" (Kernpunkt, 2018). 

Lisa Halliday, "Asymmetry" (Simon & Schuster, 2018).

Simon Jacobs, "Palaces" (Two Dollar Radio, 2018).

Norah Lange (translated by Charlotte Whittle), "People in the Room" (And Other Stories, 2018).

Devi S. Laskar, "The Atlas of Reds and Blues" (Counterpoint Press, 2018).

Wayétu Moore, "She Would Be King" (Graywolf Press, 2018).

Sharma Shields, “The Cassandra” (Henry Holt and Co., 2019).

Claire Tacon, "In Search of the Perfect Singing Flamingo" (Poplar Press, 2018). 



*Hanif Abdurraqib, “Go Ahead in the Rain: Notes to A Tribe Called Quest” (University of Texas Press, 2019).

Tressie McMillan Cottom, “THICK and Other Essays” (The New Press, 2019).

Rachel Cusk, “Coventry” (Macmillan, 2019).

Michele Filgate, “What My Mother and I Don’t Talk About” (Simon & Schuster, 2019).

Briallen Hopper, “Hard to Love: Essays and Confessions” (Bloomsbury Publishing, 2019).

Jessica Hopper, “Night Moves” (University of Texas Press, 2018).

Mitchell S. Jackson, “Survival Math: Notes on an All-American Family” (Simon & Schuster, 2019).

T Kira Madden, “Long Live the Tribe of Fatherless Girls” (Bloomsbury Publishing, 2019).

Kate Zambreno, “Screen Tests” (HarperCollins, 2019).



Erin Hoover (Poetry)
Eve L. Ewing (Non-Fiction)
Nicole Chung (Non-Fiction)
Alice Bolin (Non-Fiction)
Anna Rose Welch (Poetry)
Francisco Cantú (Non-Fiction)
Genevieve Hudson (Fiction)
Alexander Chee (Non-Fiction)
Carmen Giménez Smith (Poetry)
Catherine Barnett (Poetry)
Henrietta Goodman (Poetry)
Roxane Gay, Ed. (Non-Fiction)
Kristin Chang (Poetry)
Adroit’s Best of: Poetry 2018
Adroit’s Best of: Prose 2018